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Let Truth Be the Prejudice: W. Eugene Smith, His Life and Photographs, by Ben Maddow
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Photographs by W. Eugene Smith
Illustrated biography by Ben Maddow
Afterword by John G. Morris
Let Truth Be The Prejudice documents the life and work of W. Eugene Smith, a man whose work expanded the range and depth of photography, bringing new aesthetic and moral power to the photo essay. Smith was born in 1918 in Wichita, Kansas, and raised according to traditional American values, believing in the nobility of America and the injustice of war. He began taking pictures with his mother's camera while still a boy and continued this practice throughout his schooling. In 1937 his burning ambition took him to New York City, where his rise as a professional photographer was meteoric.
Before he was twenty-one, Smith had placed hundreds of photographs in the major picture magazines of the time. Dramatic composition, a hard-edged brilliance, and a mastery of lighting were evident even in this early work. But the moment of true ground-breaking would occur during World War II. It was when Smith went ashore with the Marines at Saipan, Guam, and Iwo Jima that his work and his sense of moral responsibility came together. He wrote: "Each time I pressed the shutter release it was a shouted condemnation hurled with the hope that they might echo through the minds of men in the future-- causing them caution and remembrance and realization." Breaking from the concerns of the mass media, his personal priorities were born. Smith's war photographs earned him repeated and justified comparisons to Mathew Brady. His coverage of American prisoner-of-war camps helped convince the Japanese that their fears were exaggerated, and stopped the suicide of thousands of terrified citizens upon the advance of American troops. This would not be the last time that Smith's work would change as well as document history.
After the war, Smith became a staff photographer at Life magazine, where he created many of his most famous photographs. The essays "Country Doctor" and "Nurse Midwife" influenced an entire generation. Smith moved from mine villages in Great Britain to Albert Schweitzer in French Equatorial Africa to a sweeping study of Spanish village life. At a meeting of the Ku Klux Klan he created haunting images of hatred, fear, and bigotry, which beautifully counterpoint the humanity of his great Life0 essays. Smith also showed his skill at portraiture, shooting many of the luminaries of the time.
His frustrations with commercial publishing finally led to a split with Life magazine in 1954, a true case of "artistic differences." He devoted his remaining twenty-four years to independent projects. It was a period of intense personal suffering and poverty. During these years he pushed one project, "Pittsburgh," virtually to the breaking point and along the way created photography's greatest urban landscape.
His last great essay, "Minamata," depicted both the human suffering caused by mercury poisoning in a Japanese industrial port, and helped put an end to that pollution. A severe beating by factory thugs aggravated his already failing health and on October 15, 1978, he died. Over the span of forty driven years, Smith dreamed on an epic scale and his accomplishments were heroic. He once wrote: "Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold."
Here is the definitive work on Smith's life and work, containing his major photo-essays, the portrait work, and spanning his brilliant career from his days aboard an aircraft carrier, through the breadth of Pittsburgh, to the human suffering explicit in his last great essay in Minamata. All these images have been painstakingly reproduced to insure the greatest quality in testament to Smith's genius.
Moral passion and photographic truth were inseparable to Gene Smith. He pursued both and the measure of his greatness is that he compromised neither. His achievements were realized at no small cost to himself and those around him. In the accompanying biography, "The Wounded Angel," author Ben Maddow takes the measure of the man and looks unflinchingly at the muses and demons that drove W. Eugene Smith to the fulfillment of his dream of greatness. Maddow's biography is the first published in-depth portrayal of Gene Smith's life. It is a dramatic saga made all the more vivid by Maddow's commitment to the facts and his subject.
- Sales Rank: #1476432 in Books
- Brand: Brand: Aperture
- Published on: 1998-10-15
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: .92" h x 10.38" w x 13.32" l, 1.10 pounds
- Binding: Hardcover
- 240 pages
- Used Book in Good Condition
From Library Journal
This survey of Smith's work is a particularly fine one, in terms of the reproduction quality, choice, and layout of images. The juxtaposition of picture groups seems to parallel the emotional upheavals and periods of calm in his life: World War II, rural America, Ku Klux Klan, Spain and Africa (Albert Schweitzer), the mammoth Pittsburgh project, gentle views from his Manhattan window, jazz artists, an unpublished Haiti essay, Japan (Minamata). The pictures (accompanied by lengthy quotations from Smith) speak eloquently of his vision, mission, and craftsmanship. Unfortunately, Maddow's essay adds far more than we need to know about Smith's personal relationships, by way of a tiresome pastiche taken from the thousands of documents at the Center for Creative Photography. (Maddow performed this same service in Edward Weston: fifty years ). The accompanying bibliography of photo essays and writings by and about Smith is very useful. Kathleen Collins, Library of Congress
Copyright 1986 Reed Business Information, Inc.
Review
"In Eugene Smith's work the world found an important aspect of America-- its longstanding moral passion. He hungered after that conclusive, suggestive moment of visual truth; he sought through pictures a précis of one then another aspect of our humanity. And he succeeded in that search-- giving us in sum a broad and deep rendering of this life's thickly textured particulars. We are much indebted to him."--Robert Coles, author of Dorothea Lange: Photographs of a Lifetime
"Gene Smith is reviewed today as a shining knight of light. He explored photography's power to project human drama and emotion. He succeeded in raising our level of conscience and he himself perished too soon, paying the price."--Cornell Capa, Director, International Center of Photography
"Gene Smith was perhaps the photographer who tried most heroically to make the magazine photo story lead the standards of coherence, intensity, and personal accountability that one expects of a work of art."--John Szarkowski, Director, Department of Photography, Museum of Modern Art
About the Author
Ben Maddow is a prize-winning poet and short-story writer, an essayist and critic of photography. During his career, he has been a film director and producer, painter and photocollagist, and the author of some twenty screenplays including the classic Asphalt Jungle (with John Huston) and Intruder in the Dust. He has written several novels as well as the award-winning biography Edward Weston, Fifty Years.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Amazing book
By Stefano Giovannini
The cover is not so enticing, with that red outline.
But the quality of the book is superb. I bought a few W. Eugene Smith's books on the same week, so I have not looked at all in detail. The print quality is very good, the paper shows very nicely the deep blacks and dark tones of Smith's photographs, without making them look dull like on lower quality books.
It is a large book with many photo essays that cover large part of Smith's career.
There is a lot of text as well. A lot of information about Smith's assignments and biography.
Really a great book I am happy to own. A great introduction to this photographer's work.
W. Eugene Smith is an amazing photographer. His photos are not just a mere representation of reality. The toning, the printing technique are as important as the framing, the composition to bring to the viewer the complex realities of life with emotion, passion, compassion.
This book is not a collection of single images, but photo essays where series of photographs can really tell a story and bring a slice of life to the viewer.
0 of 0 people found the following review helpful.
Not the best, but quality images abound.
By J. Dennis Thomas
I'm a huge fan of Gene Smith's work. it's awe inspiring, but this book isn't the best one out there. There are a lot of letters that give you insight into his world, but it is badly designed. If there were another edition released with a new designer this book could be great.
A better purchase, albeit more expensive is the 3-volume set by UT Press called W. Eugene Smith, The Big Book. Save your money and buy that. Buy this one used because there are great images in this book, but it's not worth a whole lot of dough.
1 of 1 people found the following review helpful.
W. Eugene Smith-The Man
By Col Colt
Yet another marvelous book with superb photos of a troubled man. Smith had a rough life being broke most of the time and the injuries he received during WWII and the violence he received while covering the mercury poisoning in Japan buy the very people that caused the problem further caused him irreparable harm. Of all the photo journalist I've read about Smith was the most troubled, despondent and potentially suicidal. Nevertheless, a superb photographer going in harms way many times to capture the story. One of my heroes.
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