Sabtu, 14 Juni 2014

[G660.Ebook] Get Free Ebook Naval Warfare Under Oars, 4th to 16th Centuries; A Study of Strategy, Tactics and Ship Design.

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Naval Warfare Under Oars, 4th to 16th Centuries; A Study of Strategy, Tactics and Ship Design.

  • Sales Rank: #8009084 in Books
  • Published on: 1975
  • Binding: Hardcover

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Jumat, 13 Juni 2014

[D320.Ebook] Ebook Download Accent on Ensembles, Book 1: Bb Clarinet / Bass Clarinet (Accent on Achievement), by John O'Reilly, Mark Williams

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Accent on Ensembles is an exciting book of duets, trios and quartets for flexible instrumentation that correlates with Accent on Achievement, Book 1. Use these ensembles to develop confidence in young players and as a valuable resource for music during contest season. Since the instrumentation is flexible, any combination of instruments can play together. Accent on Ensembles, Book 2 is an exciting book of duets, trios and quartets for flexible instrumentation that correlates with Accent on Achievement, Book 2.

  • Sales Rank: #2056082 in Books
  • Brand: Alfred
  • Model: 00-19615
  • Published on: 2000-12-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x 9.00" w x .25" l, .24 pounds
  • Binding: Paperback
  • 24 pages
Features
  • An Exciting Book Of Duets, Trios And Quartets
  • Correlates With Accent On Achievement Book One
  • Arranged For B-Flat And Bass Clarinet
  • Develops Confidence In Young Players
  • 24 Pages

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[E800.Ebook] Download Ebook The Real Mother Goose, by Blanche Fisher Wright

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The Real Mother Goose, by Blanche Fisher Wright

For nearly a century, The Real Mother Goose� has delighted young children!

For more than seventy-five years THE REAL MOTHER GOOSE has been delighting millions of children, and today the magic is as strong as ever. Heralded as the "standard" Mother Goose by parents, grandparents, teachers, and librarians, this wonderful book with Blanche Fisher Wright's lively, colorful pictures makes an enchanting introduction for the very young.

Mother Goose rhymes are a vital part of childhood. And this collection of essential rhymes have been reproduced exactly as they have been repeated from generation to generation.

  • Sales Rank: #4235 in Books
  • Color: Multicolor
  • Brand: Cartwheel
  • Published on: 1994-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.50" h x 9.50" w x .50" l, 1.50 pounds
  • Binding: Hardcover
  • 128 pages
Features
  • Great product!

Amazon.com Review
Seven beloved verses from Old Mother Goose are imbued with a little more "feeling" with this interactive version of the classic. Young children can stroke the white horse's silky mane in "Banbury Cross," feel the dog's smooth red satin suit in "The Cat and the Fiddle," and dig their tiny fingers into the soft wool of the sheep in "Mary Had a Little Lamb." There's even a scratch-and-sniff spice cake in "Pat-a-Cake"! Tots will love this introduction to the nursery rhymes that will carry them through childhood and beyond. Old-fashioned, Edwardian-style illustrations will please readers of all ages, and the simple two-page-spread format, with poems on the left and pictures on the right, is clean and attractive. The miniature board book is just the right size and sturdiness for small hands and new teeth. (Baby to preschool) --Emilie Coulter

From the Back Cover
There are many collections of Mother Goose rhymes, but there is only one Real Mother Goose! Now the best-loved rhymes from the classic edition are available in this sturdy board book edition for the youngest child.

Most helpful customer reviews

65 of 65 people found the following review helpful.
A classic for a new generation
By Jean Sue Libkind
This is the book I remember from my childhood, sixty years ago. It was selected by my mother, a children's librarian.

In the past several years, I have given a copy to each of my friends in celebration of their first grandchild and it never fails to please, both for the memories it brings back and the delightful rhythms created by reading aloud. The illustrations are nostaligc but attractive to young eyes, with details to point out, a new one with each reading. And you'll be surprised at the "origins" of many familiar phrases and enjoy hearing these versions of old favorites. (It's as much fun for the grown-ups as the kids.)

I have long advocated reading to babies to get them used to having a book in front of them. If you give a child a love of reading and books, they can teach themselves anything they want to learn.

The Bookschlepper

3 of 3 people found the following review helpful.
I appreciate the classics, but many of these rhymes are best left in the past.
By Kinda Crunchy
This book contains nearly 300 rhymes, which is impressive. I purchased this for my children since I had the same book when I was little.
The familiar rhymes such as Humpty Dumpty, Pat-A-Cake, To Market, Jack, Gorgy Porgy, Three Blind Mice and many others are included. There are other rhymes I never heard of that are delightful and catchy. It is fun reading these to the kids and it has helped foster an appreciation for this type of written work.

I will say though that many of the rhymes don't make sense to the kids (ages 5 and under) and there are some that I don't feel comfortable reading to them. Times have changed for a reason and the kids don't like it when I skip.

For example, "Needles and pins... When a man marries his trouble begins."
"Three children sliding on the ice...had these children been at school...they had not then been drowned..."
"Give the barber a pinch of snuff."
"I met an old man who wouldn't say his prayers. I took him by the left leg and threw him down the stairs."

Others have words that mean something offensive in the present and I would prefer that they don't learn these rhymes because of the way they could be mistakenly interpreted by others (like at school without me there to explain for them).
Such as, "I like little pussy...pussy and I gently will play."
And also, "cock cock cock cock cock..."

If my children were older I could explain the significance of the rhymes and it may help them understand a bit of history, but they are too young for that discussion.

0 of 0 people found the following review helpful.
A Classic My Family Has Enjoyed For Decades
By Sandra Martin
I purchased this book as a baby shower gift. I had a Mother Goose book as a child and remember my mother reading it to me. Such nostalgia and warm memories. Mother Goose has captured the imagination of children for decades and fostered a love of reading in me. When I had my daughter, who is now in her twenties, I purchased a Mother Goose for her. We spent time reading together and looking at the vintage illustrations. This book is a classic and I highly recommend it to others.

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Rabu, 11 Juni 2014

[N716.Ebook] Free Ebook GoGo Monster, by Taiyo Matsumoto

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GoGo Monster, by Taiyo Matsumoto

A poetic tale of a young boy’s overactive imagination.

Reads R to L (Japanese Style). A poetic tale of a young boy’s overactive imagination.

Nine-year-old Yuki Tachibana lives in two worlds. In one world, he is a loner ridiculed�by his classmated and reprimanded by his teachers for telling stories of supernatural beings that only he can see. In�the other worlds, the super natural beings vie for power with malevolent spirits who bring chaos into the school, the�stuents lives and nature itself.

GoGo Monster is a nuanced tale of a young boy and his overly active imagination. Nine-year-old Yuki Tachibana lives in two worlds. In one world, he is a loner ridiculed by his classmated and reprimanded by his teachers for telling stories of supernatural beings that only he can see. In the other worlds, the super natural beings vie for power with malevolent spirits who bring chaos into the school, the stduents lives and nature itself.

  • Sales Rank: #763684 in Books
  • Brand: Matsumoto, Taiyo/ Matsumoto, Taiyo (ILT)
  • Published on: 2009-12-08
  • Released on: 2009-12-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.75" h x 1.60" w x 8.25" l, 1.88 pounds
  • Binding: Hardcover
  • 464 pages

From Publishers Weekly
Starred Review. Matsumoto's nearly European art paired with Japanese manga pacing have made him a fan favorite for years, and he won an Eisner for Tekkonkincreet. In GoGo Monster, he effectively blurs the line between reality, imagination, and madness. Yuki is an outcast elementary school student who feels the presence of invisible monsters at his school. Are Yuki's monsters real or imaginary? The old school groundskeeper has reasons to believe Yuki's monsters do exist, and they seem to influence the level of disciplinary problems at school. While we never see Yuki's monsters outside of the depictions scribbled on his desk, readers share Yuki's other hallucinations. In one troubling scene, his teacher's and classmates' heads are replaced with flowers. Matsumoto brings out the surreal moments in everyday life, such as when Yuki stares into raindrops clinging to his umbrella at the distorted image of his face, replicated a hundred times. The high-contrast contour drawings are heavily influenced by French artists Moebius and Enki Bilal, with occasional nods to the psychedelic works of Milton Glaser and Peter Max. Despite occasionally experimental storytelling, the story is very accessible: Viz has faithfully reproduced the beautiful Japanese edition of the book, complete with red-trimmed pages of exceptional quality and a colorful cardboard sleeve. (Nov.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Although seinen—manga for men—have been published in the U.S. for years, none have taken hold in the marketplace, despite critical praise. This gorgeous presentation of Eisner Award winner Matsumoto’s work deserves to capture more attention from the older readership it hopes to win. In the original graphic novel, third-grader Yuki Tachibana must choose between his imaginary world, in which faces appear in raindrops and unseen beings dance to the music of his harmonica, and the real world of mocking classmates and potential new friends. Taking place over the course of a single school year, Yuki’s struggle to maintain a hold on his dream world turns dark and frightening the closer he gets to new classmate Mokoto. Matsumoto’s scribbly style works perfectly for the story in the childlike way it depicts Yuki’s imaginings and renders the faces of his tormentors as abstractions to intensify Yuki’s sense of alienation. Matsumoto’s examination of an often forgotten period of childhood is powerful, heartbreaking, yet ultimately reassuring. --Eva Volin

About the Author
Taiyo Matsumoto is the cult favorite artist of Tekkonkinkreet: Black & Whiteand NO. 5, both published by VIZ. With line work that mirrors his story lines in a combination of smooth and rough styles his work makes for a truly unique look and feel in manga.

Most helpful customer reviews

0 of 0 people found the following review helpful.
First Matsumoto book i read. Don't pass by
By Abdulahi Mohamoud
This was the first matsumoto work i read and it got me hooked to read anything else made by him because it is so different from any other manga i read. Now this can turn some people off because they are not into alternative manga but you should give it a try anyway. i wasn't into this kind of manga when i first got it and it took me a few read throughs to understand it all but the end result was me loving it and now Matsumoto being one of my favorite mangakas. for first time matsumoto readers: don't judge too harshly on matsumotos different art style or weird and abstract way of storytelling. just try to appreciate it for what it's trying to do.

5 of 6 people found the following review helpful.
11 O'Clock Comics' Fantastic Recommendation and Mine
By SEA-S
In it's year end wrap up for 2009, 11 O'Clock Comics gave a very favorable review of Gogo Monster and based upon that I dropped it into my cart here. Thanks guys, I owe you one. Judging from the volume of reviews on Amazon, I would never have seen this otherwise and would have been sorely deprived of a piece of work that has stunned me aesthetically and engaged me on multiple literary levels. (Yes, literary levels in a manga.)

I've owned this book for about ten days and am about to start my third reread. Once is not enough to catch the nuances of the story and the detail of the art. After the second reading, I literally dreamed of this book. The last book that I can remember dreaming of was Charlotte's Web and that was 30+ years ago.

You'll need to look at the other reviews (or better yet) buy and read the book yourself, to get details regarding the plot. I want to share the pure experience of this book. What 11 O'Clock did not mention was the sheer tactile pleasure of opening and reading this work. The image above is actually a slip cover. The outside cover of the work is a colourful splash of imagination. More interesting, however, is the imprint on the outside edges of the pages. While initially, this looks like it is a red dye only, there is actually a subtle print within the reds that ties to the overall design. More than that, the edge of the pages are stuck together slightly and you have to pay attention to each page as you turn them.

The overall experience of reading this work (or mine at least) was a rememberance of things past: childhood dreams, the life altering moments of small experiences, the texture and touch of a long lost classic, and the joy of having to think of more than the words on the page to gain the most of the work. In this sense, Gogo Monster ranks in my list of some of the best literature that I read in college (thank you again Dean Grissom A Novel Approach to Life) and works of art that I have traveled thousand of miles to see and enjoy.

Take you time with this one. Every square inch of it is worth savoring.

1 of 1 people found the following review helpful.
Dream narrative
By Light Navigation
One of the best comics i've read, not just manga. Matsumoto is a master of rhytm and time. This is so cinematic somebody should make a movie out of it.

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[Y685.Ebook] Download Ebook Evidence Law, A Student's Guide to the Law of Evidence as Applied in American Trials, 3d (Hornbooks) 3rd (third) edition

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[L348.Ebook] PDF Ebook Selected Tweets, by Mira Gonzalez, Tao Lin

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Selected Tweets, by Mira Gonzalez, Tao Lin

Literary Nonfiction. Art. Fiction. Poetry. SELECTED TWEETS by Mira Gonzalez and Tao Lin, dating from 2008 to 2014, as well as extras such as illustrations of each other's tweets, short stories, essays, and a long poem.

SHEILA HETI: How do you imagine people read Twitter?

TAO LIN: On their phones I think mostly. I think I've read the most Twitter while laying in bed or on my back, or just laying in places, like in parks or in airports. Maybe not the most, but a lot. I've dropped my phone on my face many times. I think other people must too, but I rarely hear about this.

SHEILA HETI: What do you think about before you tweet? You once told me that you tweet what makes you feel uncomfortable. So which tweets do you reject, which do you accept?

MIRA GONZALEZ: I wouldn't necessarily say that I tweet what makes me feel uncomfortable, I think it's more that I feel comfortable tweeting things that I would never feel comfortable saying in a real life conversation, or even in other places on the internet. For reasons that I don't fully understand, Twitter is a place where I don't feel ashamed to say my most shameful thoughts...

(From "What Would Twitter Do," Tao Lin and Mira Gonzalez interviewed by Sheila Heti)

  • Sales Rank: #526933 in Books
  • Published on: 2015-06-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.00" h x 4.25" w x 1.00" l, .60 pounds
  • Binding: Paperback
  • 434 pages

Review
"Selected Tweets�features a selection of bleak, depressed, disturbing, funny, and personal tweets that create a fragmented narrative and show how Twitter can serve as a platform for art, storytelling, and connection."
--Emma Kolchin-Miller, Coliumbia Daily Spectator

"Selected Tweets�announces it will not be a collection of tweets in the conventional sense by purposefully being devoid of @-headed shout-outs and retweets; likewise, nearly every trace of an ongoing conversation has been scraped away. The result is a stripped-down chronological window into thought-making and recording that takes place over a combined ten years under nine different Twitter handles owned by the authors. [...] Tao Lin and Mira Gonzalez have elevated the medium into an art form with the power to transmit authentic observations."
--Andrea Longini, Electric Literature

"Lin's half is full of his typical neutrals and monotones, while Gonzalez's is littered with objects being stuffed up her vagina and musings on Werner Herzog. The tweets are scattered, disconnected, but made cohesive through the authors' perpetual discontent combined with their efforts to connect to others, and their spirals through drug abuse when this fails."
--Elaina Randsford, Flaunt

"Beautifully organized [...] surprisingly interesting [...] It works very beautifully about psychic distress and contemporary nausea--it's a really lovely book, and it's the way that we think and write now."
--David Shields, author of Reality Hunger and other books

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4 of 6 people found the following review helpful.
This sweet book of tweets is one of the best books of tweets I've ever read!
By SuperSaver
This is one of the five or six best books of tweets I have ever personally read in my life. I spend a lot of time on Twitter, maybe ~ 7-8 hours a day, so I've read millions of tweets. When I'm not tweeting myself and not reading others tweets online, I'm reading books of tweets like this. And so I consider myself an experienced tweeter and reader of tweets, and I can say without qualification that these two young writers (one is really young, the other about ten years older) have compiled their favorite and best-loved tweets on many everyday subjects (drugs, relationships, boredom, odd things, drugs, etc.) and yet they make them come alive with good writing and hard work. They put a lot of thought into this book. You can basically read it starting on the last page and going backwards to the first page, and you'll still enjoy it. This is one great book of tweets. I like that they are specially selected, too.

0 of 0 people found the following review helpful.
Mira marry me.
By Amazon Customer
Mira Gonzalez is a goddess but Tao is overrated.

3 of 5 people found the following review helpful.
... night before I go to sleep brings me a comfortable, thereapeutic feeling of relief similar to the one ...
By Patrick Hyde
reading this in bed at night before I go to sleep brings me a comfortable, thereapeutic feeling of relief similar to the one I felt when reading calvin and hobbes alone in my room at 12 years old. easily digestible, often funny, occaisionally clever, and usually relatable.

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Jumat, 06 Juni 2014

[Q881.Ebook] Free Ebook A People's Tragedy: The Russian Revolution: 1891-1924, by Orlando Figes

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A People's Tragedy: The Russian Revolution: 1891-1924, by Orlando Figes

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A People's Tragedy: The Russian Revolution: 1891-1924, by Orlando Figes

On the brink of the 100th anniversary of the Russian Revolution, read�the most vivid, moving, and comprehensive history of the events that changed the world

It is history on an epic yet human scale. Vast in scope, exhaustive in original research, written with passion, narrative skill, and human sympathy, A People's Tragedy is a profound account of the Russian Revolution for a new generation. Many consider the Russian Revolution to be the most significant event of the twentieth century. Distinguished scholar Orlando Figes presents a panorama of Russian society on the eve of that revolution, and then narrates the story of how these social forces were violently erased. Within the broad stokes of war and revolution are miniature histories of individuals, in which Figes follows the main players' fortunes as they saw their hopes die and their world crash into ruins. Unlike previous accounts that trace the origins of the revolution to overreaching political forces and ideals, Figes argues that the failure of democracy in 1917 was deeply rooted in Russian culture and social history and that what had started as a people's revolution contained the seeds of its degeneration into violence and dictatorship. A People's Tragedy is a masterful and original synthesis by a mature scholar, presented in a compelling and accessibly human narrative.

  • Sales Rank: #59816 in Books
  • Brand: Penguin Books
  • Published on: 1998-03-01
  • Released on: 1998-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 1.60" w x 6.10" l, 2.16 pounds
  • Binding: Paperback
  • 1024 pages

Amazon.com Review
Written in a narrative style that captures both the scope and detail of the Russian revolution, Orlando Figes's history is certain to become one of the most important contemporary studies of Russia as it was at the beginning of the 20th century. With an almost cinematic eye, Figes captures the broad movements of war and revolution, never losing sight of the individuals whose lives make up his subject. He makes use of personal papers and personal histories to illustrate the effects the revolution wrought on a human scale, while providing a convincing and detailed understanding of the role of workers, peasants, and soldiers in the revolution. He moves deftly from topics such as the grand social forces and mass movements that made up the revolution to profiles of key personalities and representative characters.

Figes's themes of the Russian revolution as a tragedy for the Russian people as a whole and for the millions of individuals who lost their lives to the brutal forces it unleashed make sense of events for a new generation of students of Russian history. Sympathy for the charismatic leaders and ideological theorizing regarding Hegelian dialectics and Marxist economics--two hallmarks of much earlier writing on the Russian revolution--are banished from these clear-eyed, fair-minded pages of A People's Tragedy. The author's sympathy is squarely with the Russian people. That commitment, together with the benefit of historical hindsight, provides a standpoint Figes take full advantage of in this masterful history.

From Publishers Weekly
Packed with vivid human detail and incident, British historian Figes's monumental social and political history spans Russia's entire revolutionary period, from the czarist government's floundering during the famine of 1891 to Lenin's death in 1924, by which time all the basic institutions of the Soviet dictatorship?a privileged ruling elite, random terror, secret police, torture, mass executions, concentration camps?were in place. Figes dismantles any number of myths surrounding the Bolshevik Revolution of October 1917, a military coup rammed through at Lenin's insistence ("hardly any of the Bolshevik leaders had wanted it to happen until a few hours before it began"). Using diaries, letters, memoirs and archival documents, Cambridge don Figes provides masterful portraits of cynical, power-hungry Lenin, driven by an absolute faith in his mission; Alexander Kerensky, weak-willed, vain democratic leader, the self-styled savior of Russia; writer Maxim Gorky, plagued by the fear?and later by the terrible realization?that the "people's revolution" was a descent into barbarism; Tolstoyan peasant reformer Sergei Semenov; and dozens of lesser-known figures. In this vibrant magnum opus, Figes illumines the manifold sources of Russia's failure to take a democratic path. Illustrations not seen by PW.
Copyright 1996 Reed Business Information, Inc.

From Kirkus Reviews
A brilliant history of the Russian Revolution from the onset of the revolutionary crisis to the period when the basic institutions of the Stalinist regime were in place. Figes (History/Trinity College, Cambridge, England) provides an extraordinary and comprehensive explanation not only of why the revolution occurred, but why it turned out the way it did. His greatest contribution is to capture something of the sheer magnitude of the revolutionary impulse. Seventeen thousand people were killed or wounded by terrorists in the last 20 years of tsarist rule. In six months during the revolutionary period 19056 the regime arrested and executed 15,000 people, shot or wounded a further 20,000, and exiled 45,000. Figes breaks sharply from the view that a constitutional monarchy was evolving prior to the First World War. Such a development was consistently frustrated by Nicholas II, who viewed every change as infringing upon his personal rule and his mystical union with the Russian people. Figes believes that the Bolsheviks won because, in their hatred of the gentry and the bourgeoisie, as well as in their willingness to make peace with the Germans, they expressed the deepest yearnings of the Russian people. Nonetheless, Figes makes it clear that the Bolsheviks came to power only by coup d'‚tat and that they retained power only by centralizing it and using terror ruthlessly to wipe out opposition parties. Such was their fanaticism, however, that they very nearly lost power again. Only the political ineptitude of the Whites enabled them to hold on. Finally, he argues that through his ruthlessness and cruelty, it was Lenin, not his successors, who created the country's Stalinist framework. In the detail that he gives to this vast canvas, in his insight into the Russian people, in the strength of his narrative, and in the human dimension that he gives to the story, with the lives of significant characters traced over lengthy periods of time, Figes has written an incomparable book. It is a masterpiece. -- Copyright �1997, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

171 of 181 people found the following review helpful.
A Brilliant and Unforgettable History
By Suzanne Cross
Rarely, one stumbles across a book that is of such surpassing excellence, and whose scholarship is worn so lightly, that you know, reading it, that you will never be able to forget it, and what you learn from it. Figes' A People's Tragedy is this rarity. I have read many books about the Russian Revolution, but no book has the sweep, the clarity, the balance, and the heartbreak of this. I literally had to put it down every so often because the sheer tragedy of what I was reading was more than I could bear.

First, Figes briskly deals with all those things you thought you knew about the Russian Revolution, Lenin, Stalin, Trotsky, Kerensky - the liberals, the Bolsheviks, the Tsar. Again and again, I realized I had picked up myths either promoted by those who lost, or those who consolidated, the Revolution. The mythmaking machine was going full tilt from 1917 onwards (particularly during the Stalinist and Cold War Years) and this book would be irreplaceable if only for stripping away so much that you thought you knew - which was wrong.

Second, by starting the book in 1891 (with a famine which revealed the incompetence of the Tsarist beaurocracy) and ending with the death of Lenin in 1924, Figes permits himself a sweep of events that makes what actually happened even more dramatic than it was. Again and again, you not only read about, but hear from the survivors of, mistakes, errors, misconceptions - indolence, arrogance, foolishness, well-meaning idiocy - in a way that, as a human being, is more than heartbreaking. Again and again, the Revolution might never have happened, a democracy might have developed, steps taken could have been taken back - but they weren't. Instead, one of the great mass tragedies of history occurred, and you feel like a helpless bystander, watching it happen.

This is remarkable history and it is an extraordinary achievement. It is bound to upset those with fixed ideologies on both the left and the right. If you ever read only one book on the Russian Revolution, make it this one.

46 of 48 people found the following review helpful.
Great historical primer - gets complex later on
By T. Adshead
I live and work in Russia, and have been studying the place for 12 years or so. In all that time, because I focus on the here and now, I have always felt that I lacked a real grasp of the history, which I try to fill in from time to time. This book is brilliant on the forty years or so that lead up to 1917. Figes brings you into the two worlds of the revolutionaries and the aristocracy.
He is not starry-eyed about any of the participants. He is very clear about how the monarchy failed to reform in time, failed to listen to good advice, and basically brought about its own downfall. He also describes how the Tsarist secret police was just as nasty as its Bolshevik equivalent. All of Russia's totalitarian machinery was in place long before the revolution.
He also describes how Russia's peasant culture usurped the Marxist ideals of the revolutionaries. This was a crude egalitarian culture, that punished people who became rich, by stealing or confiscating their property, that tolerated drunken layabouts, and that was generally happy to see no improvement in its standard of living over the course of the 19th century. These Russian peasants deeply distrusted the Bolshevik Jews, especially those who came from the cities to "educate" them.
The accounts of the revolution are breathtaking, and all those famous events, like the Cruiser Avrora, are put in their place, as well as descriptions of how the military was mobilised to the side of the Bolsheviks. Figes' history of the First World War, and how it fit into the revolution, was also first-rate.
So I would recommend this as a starter to anyone looking to get a grasp of the detailed history of the Bolshevik revolution. It becomes heavy going, as it details the factional fighting of the Bolsheviks post-revolution and post-civil war, and I lost track of who was on who's side. But this is only the last quarter of the book, and the fact is that these events are a lot less exciting than what happened in the first part.
I am not a big expert, so I cannot compare this with, say, Pipes' book, which was the standard text when I was a student. My godfather, who taught Russian history at Oxford for forty years, thinks that Figes' book is the best that he has read. I certainly loved it, and strongly recommend it to anyone thinking about learning about Russia and its history. It's amazing how so much of what happened then is still happening today.

131 of 149 people found the following review helpful.
What a Deal!!
By Jeffrey Leach
I picked up this book by Orlando Figes on a whim. The Russian Revolution is an interesting topic so I figured that one day I'd get around to reading this massive book. I finally read it over Christmas break, and I must say that this is an excellent history book. One of the best I've ever read, actually. It is a real page turner, something very rare for a scholarly book of this size and scope. Figes certainly has the education to pull off this type of history: he was educated at Oxford and has written other works concerning Russia.
Figes goes against the grain with this book. In opposition to such scholars as Richard Pipes (author of another huge tome I own but have yet to read), Figes believes that the Russian Revolution was in fact a "bottom up" revolution. Figes proves that the peasantry in Russia were sick to high heaven of a system that degraded them to a status of barely human. To the peasant, the most important thing was land and freedom from the state. All government forms, from the tsarist state to the Bolsheviks, were judged by how much autonomy the peasants earned under them. Figes actually seems to measure the success and failure of each government according to how the peasants received them. Not surprisingly, the tsarist system was a dismal failure. It's easy to be a Monday morning quarterback with history, but the tsarist regime was pathetic. The list of the problems confronting Tsar Nicholas is too numerous to list here, but what is important to note is that this regime failed them all. Land reforms were desperately wanted, but the Tsar denied them. Nationalism in the peripheral states around Russia was not only denied, but a program of Russification was instituted that caused more problems than were necessary. The list could go on and on. The problem was power. The tsarist state refused to give any ground on the autocratic principles that the Russian tsars loved so much. Figes spends a good portion of his book discussing the failures of the tsarist system and shows how that system could have averted problems and maintained the throne (although as a constitutional monarchy akin to England).
The other elements of government, the Bolsheviks, the Provisionals and the Whites, failed just as badly. The Provisionals were forced to tread the line between extremists and failed to reconcile both. The White regimes failed because the conservative elements that made up the bulk of the movement refused to budge on principles they enjoyed under the Tsar. Even the Bolsheviks failed, but their failure wasn't as pronounced because they were able to retain at least some semblance to the revolutionary principles that the peasants loved so much. Even here, the Bolsheviks had to make some concessions to retain power. The examination of the Communist regime is probably the most interesting aspect of this book.
The Communists are given heavy treatment in this text. Not only do we see how they came to power, we get huge doses of their philosophy. Figes gives a detailed examination of the intellectual currents that gave rise to the Communist movement, as well as their actions once they attained power. What emerges is a bleak picture. Communism is death to all it touches. The Bolsheviks sought to not only rule by dictatorship, but to change the very essence of man into an automaton subservient to the state. Figes shows the reader the Red Terror and some of the other methods the Bolsheviks used to try and bring about this subservience. It is a horrifying picture made worse, of course, under the rule of Stalin.
Figes states in his introduction that it took six years to do the research for this book. It is beautifully done and, I should mention, done by Figes himself without research assistants. I am amazed at how much information I have retained from this book, something that can't be said about many history books. I'd love to take a class from this scholar. His insights are fresh and his writing is erudite. Buy this book!

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